I've been anticipating reviewing "Mystara" as perhaps the most difficult of the setting reviews.  Unlike most settings, it never really had a dedicated setting book. As the default setting for the "non-advanced" Classic D&D line, it grew from a couple of pages in the Expert Set published in 1981 up and ended as an AD&D in 1995. It is, perhaps moreso than any other setting, a product of organic development which grew and changed radically over the course of its different release cycles.  Unlike the ham-fisted attempts at development and expansion in other settings (Forgotten Realms with its Time of Troubles, Maztika and Kara-Tur getting tacked on to the edges with cheap glue and then destroyed for 4e altogether stand out), this somehow worked out well for Mystara. Perhaps because it is so non-premeditated and basically a collection of different authors having good ideas they wanted to throw at a setting and a setting that is very receptive to such tre

NB. If you're only here for the cool new map, it's at the bottom of the post. Primeval Thule is a "sword and sorcery" pastiche setting that takes its primary inspiration from Robert E. Howard, Clark Ashton Smith and H.P. Lovecraft - For D&D. It has books for 5e, 4e, pathfinder, 13th Age and Savage Worlds. Here I will be reviewing the book for 5e. Despite the strong influence these authors have had on the D&D genre, D&D settings who take these as a primary and overriding influence are rare, so a setting adopting a more purist interpretation of these is a welcome addition. The concept art for the setting certainly makes an evocative intro: What other settings might compare to such an effort? Setting to one side pastiche OSR efforts (such as Astonishing Swordsmen & Sorcerers of Hyperborea), then Wilderlands of High Fantasy has a lot of S&S, but its (delightful) kitchen sink approach means it can not be considered a

I've written about Greyhawk before without ever telling the story of my own relationship with the setting. I came to it rather late, in the late 90s when it had been long discontinued (even the From the Ashes  reboot had been discontinued), at a time where I considered myself savvy in the worlds of Dragonlance (my first D&D world), Forgotten Realms (cool things in there, but why is it that  popular?), Dark Sun and Ravenloft, and the only thing I knew of Greyhawk was as the red-headed stepchild of TSR. My first real encounter with Greyhawk though was through a Danish magazine, SAGA, written back in 1992, that did an "intro to greyhawk" article titled "Greyhawk - The oldest of all worlds" that caught my imagination. Scan of the original article from Saga #14 Click here to read an English translation in pdf This seemed like a setting that had room for all the things I expected from a genuine D&D fantasy setting. More room for medievalism, more k

Having reviewed some oldies in Forgotten Realms and Greyhawk , the time has come for a setting from the 90s. The early 90s saw TSR embark on the most ambitious period of setting creation that hasn't been matches before or since, releasing no less than seven settings in boxed sets with full support in five years. One of them, developed under the working title of "War World" as a setting meant to support the Battlesystem rules, was Dark Sun, released in 1991. Dark Sun has a special place for me personally. It was the first setting I bought that was brand new when I picked it up. Settings like Greyhawk, Forgotten Realms and Dragonlance all had history by the time I discovered them, but Dark Sun I got to explore from the beginning of it when I picked up the original boxed set at my local game store. Grognard retrospectives typically argue that this period was the start of the nadir for old school gaming as sandbox exploration, resource management and deadly encounters set in

After Forgotten Realms, we move further back in time to take a look at the setting it knocked off its perch as the de facto setting at TSR - Gary Gygax's very own World of Greyhawk (I will, at times, be comparing the two settings for the very same reason). Quick intro to the setting (See also my  review of the map of greyhawk  - Incidentally, the most visited entry on my blog) The world of Greyhawk is a Sword & Sorcery setting built on a proper medieval chassis with just a light sprinkling of Tolkien influences.  It is built around a dichotomy of the lands of Men being relatively mundane, with the history and cultures of these having a suitably 'realistic' feel and the wilderness being home to the Weird - The place where adventurers go to experience the fantastical. Here, Greyhawk has a strong 'anything goes' approach where spaceships, timetravel, contact with other worlds, from the silly to the serious, are all within the tone of the setting.