Wednesday, 19 July 2017

Update on "Into the Unknown" - Kickstarter Boxed Set looking likely

Quick intro: "Into the Unknown" is my hack of 5e to make it run more like B/X - Old school meets modern. Many simplified mechanics; Race-As-Class; reaction and morale rolls are back; spend-gold-for-xp combined with downtime activities; simple but central hexcrawl framework; terse and short writing - And fully compatible with 5e. Click the tags below for more.

The player booklets are basically finished. Works has stalled a bit as I am working hard on the GM booklets. This is turning out to be a lot harder than the player booklets, but I want it to be good - And this is really demanding the best of GM wisdom from me! We're still a couple a months away from completion, but I have the structure of the booklet and just about every chapter and section lined up, so things should be proceeding more smoothly from here.

There are other good news though. The player booklets look quite good, even just printing it with a regular printer. And I've been researching the cost of making a proper print run - in a boxed set! This looks much more affordable than I first assumed, as long as it is 50+ made. At first glance, production cost here in Denmark could be as low as the 30 usd range for six booklets and a box which is not what I expected. So I went ahead and made a box cover in anticipation of putting this on kickstarter:

Obvious Homage is obvious
So yeah, I think this is really happening. A target of 50 backers seems realistic - I won't run until I have all the actual material written and I enter the final edit-tweak'n'polish phase (I am thinking to use the kickstarter as playtest as well) and I have a firm price offer from a printer. Sometime in autumn?

I guess that means I should look at stretch goals and stuff? I've never done anything like this before. Comission someone to make a kewl character sheet? Comission art from Russ Nicholson and Larry Elmore?

I guess I will need to set up a company as well, to report taxes on this for and all. Jeez. I did not anticipate all this when I first started hacking this.

Friday, 14 July 2017

Against the Funnel of Game Balance - Old School Fun

Game Balance is a totally different kind of fun compared to old school fun. It's more a fun-nel really, that basically seeks to minimize the parts of the game that old schoolers find fun.

Gamers, generally speaking, roll dice because the element of randomness brings a level of excitement to the table. And they applaud creative thinking or player skill being able to make a crucial difference in a tight spot. Because it is fun. Because they are variables making the game more open-ended.

Game Balance is the opposite: It is the premise that so long as the party manages its resources properly, they will be guided through a scenario of progressively more difficult encounters, each of which they should be able to defeat in turn and still come out with positive hit points, for a total combat experience that should be neither too easy nor too hard. If the GM knowingly presented encounters too strong for the party, that is seen to be GMing in bad faith. If they are too easy, the GM is expected to make adjustments so that the players can stay within the happy medium of challenging encounters in the Game Balance Funnel.

In other words, you can expect to come out on top as long as you stick to the guidelines on both sides of the table. You can roll dice and come up with zany stratagems, but the game is rigged so that the outcome is meant to be a foregone conclusion regardless of these variables.

This concept of "game balance" became part of the gaming culture during the 3rd edition cycle and was enshrined into inviolate law in 4th edition.

In 3rd edition, the Game Balance funnel was not originally intended to be part of the game. It provided encounter guidelines mostly as an tool for eye-balling Total Party Kill encounters and enabling the GM to steer clear of this if he wanted to. The gaming culture however, quickly began to take the guidelines as a social contract and part of the game. When Wizards of the Coast released adventures that did not follow these guidelines rigorously, there was outcry. They quickly learned not to do that again. The guidelines had become law.



In 4th edition, this was taken to its ultimate conclusion. Though the various mechanical widgets players had to choose from were probably more plentiful than ever, 4th edition was so perfectly balanced that it was virtually impossible for the GM to "break the game" (ie, kill the player characters) as long as players and GM alike stuck to very clearly defined guidelines. As part of the this, players also could not break the game either - Each class was designed to be perfectly balanced against each other, giving every player a chance to shine equally. 4e is maybe the most balanced RPG ever made.

Why did game balance become such a hot item? How did it go from 'here's a guideline' to being the holiest principle in the design of the game? And why wasn't it a bigger deal before 3rd edition? Whilst some of it might well be the zeitgeist of the times, I'd argue that the design of other parts of 3rd edition, developed even further in 4e, inevitably lead to a design where Game Balance had to become law. In two areas mainly:

Character build - with 3rd edition, making a character became a mini-game itself. "Builds", tracking progression from 1st to 20th level, became a thing. The game itself encouraged this sort of fiddling with prestige classes that could be combined in multitudes of ways and whose requirements and optimal benefits required planning ahead many levels in advance. Feats likewise, often required planning chains of them many levels in advance The tone of the game itself shifted, with a greater emphasis on self-actualisation through the character you are building to become over time, than the adventures to be had.

Say Player A spends half a day building a character, plotting out how Lazariavilnus the gray elf rogue was going to become a Rogue 1/ Wizard 4/ Daggerspell Mage 10/ Unseen Seer 2/ Arcane Trickster 3 at level 20, meticulously planning assigned feats and skill ranks to get just the right synergies at level X and Y - And then Lazariavilnus dies in fire at 2nd level due to a random encounter with a dragon - Player A is probably going to be unhappy that the GM took away the character he had invested so much time in already - Especially when the GM actually had encounter guidelines that could have avoided this.

It is only natural really - Player A invested his time in ways the game encourages - Engaging in the mini-game of character building. What's the point of doing that if you have no assurances that your player is likely to survive to ever see it come to fruition? That Game Balance became expected by players is almost inevitable when you design a character creation mini-game with that kind of investment in it.

The other part of the game that lead to this is the increasingly binary nature of encounters in the game. Gone were reaction rolls - Which, though in spirit intended to let GM decide for himself, tend to just lead to more binary outcomes of "Fight or.... fight?". As were morale rolls - creatures were now much more likely to fight to the death. And even more crucially - encounters changed from primarily being obstacles in the path between the PCs and their goal (gold, which = XP) to being the goal itself (XP).
Besides the more variable outcomes of encounters in TSR editions of D&D, it also gave ways of attempting to by-pass encounters that were way out of their league, without necessarily compromising their quest for the goal of the game (XP).

Contrast this to 3rd and 4th edition, where the combat encounter was enshrined as the ONLY real way to gain XP and thus advance your character - If combat is presumed inevitable and something the players are supposed to seek out in order to advance in the game, it becomes more natural for players to expect that they should be able to survive it. Sure, the party could have just sneaked away from that dragon, but that's not what the game incentivizes. As part of this focus, it is only natural that combat was more developed, and took up more of the game time in a session, in 3e and even more so in 4e.

So game balance became the pillar to stand on for the increased focus on the mini-game of character building and the different more combat-focused player incentives offered in the game.

Looking to TSR games, and their OSR offsprings, we can see why game balance is mechanically less relevant there and simply not in the spirit of these games.

Character creation is quick. You can roll up a character in less than 15 minutes. Discover more about it in actual play if it makes through the first few sessions. In fact, we can see that character mortality was considered a feature of older games, not a bug. Quote +Frank Mentzer, author of the BECMI series of D&D:
"The point is so obvious that many folks miss it (emphatically including the designers and players of the current version):
D&D Characters Die Frequently.
If you and your players refuse to embrace this axiom, you fall prey to an invulnerability that renders all the dangers impotent. You simply reenact plots knowing that the hero always survives and wins ::yawn::. But in accepting it you spring headlong into a world of thrills 'n' chills where failure and death are ever-present possibilities, surmounted only by the now-classic D&D resolution: create another heroic wannabe and try to do better."
Secondly, Combat is more avoidable - reaction rolls tend to produce different outcomes. Morale rolls tend to shorten fights. And more importantly, players aren't given strong incentives to look for fights. The real prize is the gold on the other side of the encounter. Why fight a dragon when you can just sneak past it and try to loot its hoard by stealth? Especially if you have doubts that you would be able to survive it.

This last part is the clinch in terms of fun - The social contract of game balance means players are simply not supposed to consider if they are able to survive the encounter - the rewards of the game are triggered by engaging in and winning fights and we're supposed to be able to survive each encounter - There should be no choice needed for that random encounter with the dragon - The GM wouldn't put it there if we couldn't defeat it. The world the PCs inhabit is basically solipsistic. It exists only as a level-appropriate response to the PCs and their goals of character advancement.

In TSR D&D, fighting is more of a choice - And one you can opt out of without detracting from your primary aims. This also means the GM can put in encounters that the players could not hope to survive if they engaged it in combat. And from there, create a world that is more open-ended - A world which feels less like a solipsistic funnel towards the next combat encounter and more like a world that has its own life independent of the PCs; where combat is but one aspect of the game and whether to engage in it at all is a legitimate strategic decision that the game will not punish you for opting out of.  Where achievement is earned and not a foregone conclusion.

The good GM then, does not go out of his way to set challenges that he knows will not kill the characters. Rather, he lays out meaningful choices for the players; to choose whether to fight the challenge, or look for other solutions to accomplish their goal. And he leaves it to the players, not the GM, to estimate the "challenge rating" for encounters they come across.

The point of this article is not to argue that all those who play pathfinder and 4th edition today are having BadWrongFun. When I played 3.5, I went all in on character builds myself and enjoyed the experience of tinkering with it. It was a fun solo mini-game to engage in outside the group play. And lots of combat can be fun - up to a point.

The point is rather to illustrate that when modern players consider older games to be unbalanced - That this is a feature, not a bug. And that this was by design, not accidental.
That developments of game balance do not necessarily constitute an evolution of the game, but rather a horizontal shift in focus in terms of what the game wants to be.
That there is a different kind of satisfaction in discovering your character in play, as opposed to building it and plotting out its future well in advance. And that being less attached to your character is actually somewhat liberating. That accomplishing your goals without the compulsion towards combat can create a wholly different style of play. And that combat is genuinely exciting - Because you could very well die.

It's a different kind of fun to the fun-nel you've been used to.

My advice to 3e/4e players wanting to give the OSR experience a shot - Try dying. Come to the session with a folder of character sheets. It won't take more than an hour to create a good handful or more. Just have a basic idea of what that character is right now. And die a couple of times. Get it out of your system.

Around that point, you will start to have a good feeling for how to navigate a world of fantasy full of dangers and glories to be had, where the skeletons of adventurers who failed might actually be found in dungeons - And do your best. Doing so WILL affect the outcome. 

Monday, 26 June 2017

4th edition's implied setting is Old School as f*ck

4th edition really turned me off D&D, at least as far as keeping up with its current state goes. At the time, I was already souring on 3.5's existential crisis with wanting to be GURPS in a class and level based system with abstracted combat. GURPS I felt simply did that better and I was coming to realise older versions of the game did the D&D parts with class, levels and abstracted combat, better.

When 4e then came out, I read all the reviews and play examples to get a feel for the game and see if I wanted to tag along. Nothing new under the sun from me there - I was instantly turned off by the extremely gamist nature of it - A roleplaying game so standardised by rules, it had abandoned all pretence of players playing out the scene and using rules as an aid - Players were playing out the rules with the scene as a background prop. Combats taking forever. 9 page character sheets. Characters defined primarily by boardgamey tactical roles. The hours spent on the mini-game of charop taking almost as long as actual gaming sessions. As with all things, I am sure it's possible to use 4e differently than this, but I've seen nothing since to suggest 4e does not at heart encourage this style of gaming. The players I know who play 4e in fact play 4e not because these criticisms aren't true, but because they like this style of play (in addition to liking other styles of roleplaying as well). But I didn't - at all - So 4e got a pass from me as the edition where corporatist D&D finally went off the deep end and shed its legacy and connection with former editions to go off and be its own thing in the 21st century.

The flavour parts of the game didn't seem much better at first glance either. Dragonborn and Tieflings are core classes now? And what's an Eladrin? Ugrh. For me, D&D has always been about mundane heroes journeying into the wilds to encounter the Weird and fantastical. And through this touch of Chaos, become greater than they were, gradually breaching the gap between the world of men (or even risk becoming alienated from it) and the world of myth on the other side of the fence.

4th edition at a glance seemed to totally break down this dichotomy and bring the fantastical right into the hearths of the mundane households, letting fey rub elbows with demonic offspring and dragonchildren in your regular tavern. When there is no Otherness to the fantastical, no sense of the Unknown,  the sense of wonder evaporates. The fantastical becomes mundane. 4e looked to have jumped the shark on its fluff to me at first glance. To be expected from such a gamist edition I figured and went on my way.

It was only around the time of the D&D Next playtest that I, thanks peeking at the flamewars that were inevitably sparked by the changes of a new edition, was inspired to look a bit deeper. Not for the rules, mind you. I still would rather play just about any other version of D&D. But the fluff. The fluff was just downright.... inspired!

Set that one critique about mundane vs the weird to the side for now though (we'll revisit later), and the implied setting of 4th edition reveals itself to be imaginative, bold, absolutely dripping with adventure potential and above all - Old school as fuck.

4th edition's implied setting feels far more mythic than any of its predecessors. This often translates into "gaming disconnect" (Tolkien, Glorantha, Dragonlance) as it setting becomes more pre-occupied with its own stories and mythology than its gaming potential - For Nentir Vale though, making it more mythic actually makes it more gameable. Gone are the tolkienesque angelic-racist elves of 2e & 3rd edition. The eladrin realms of the feywild have that dreamy otherworldly "journey into faerie" feel that traces its legacy back to the folkloric tales of the middle ages.

This happened in 4e. I wasn't around to witness it, but it did.
4th edition may have ditched alignments - Yet they crafted a mythology that is absolutely about the eternal conflict between Law & Chaos - Giving us a setting with all the principles of Keep on the Borderlands knitted straight into the fabric of the setting (moreso, I would argue, than any D&D setting before it) . The only thing they didn't do was explicitly call out that this dichotomy was their guiding principle (because officially - no alignments.

I mean, their cosmology is basically like this: The Astral sea was boring, so now it's Spelljammer with planes instead of planets (fuck yeah). The astral dominions are basically where the entities of Law took residence - They are all platonic embodiments of various concepts.

The Elemental Chaos is the other side of the cosmos - And far more visceral and, well... "elemental".  The font of creation - Basically Limbo, always in flux, but with elements of various kinds floating around in pockets and realms. Still, you can take your spelljammer ship and ride the elemental waves here as well (unlike the para-elemental plane of Ooze that we fucked off with the rest of the great wheel).

And below that, the nasty side of Chaos - Entropy leading into oblivion. The Abyss sitting between existence and nothingness.

Oh, and just to be even more mythic on y'all, our Law/Chaos struggle mirrors the Olympians/Aesir vs Titans/Jotuns struggle.  So you can instinctively grog this because this story is already in your cultural consciousness. And giants sided with the titans primordials.  Giant losers are therefore cosmically inimical to Law, gods and mankind. Ergo, go fight the good fight, adventurers.

And the underdark? Back in the mythic time when gods and primordials fought over law and chaos openly, one god was cursed and thrown underground for eternal torture. All these caves and passages is him dragging his tortured corpse around underground, creating open spaces as he boroughs through.

And we get mirror planes, basically reflections of life/nature and death/shadow - Because not all world-walking is about cosmic power and opening portals to new realities. Sometimes, the farmer just stumbles into faerie by accident. So your low and mid-level characters can walk into the realms of myth as well. Remember my criticism about the barriers between the mundane and the Weird? Turns out they cranked it up once you look past the player races. 4e's implied setting hardcodes this dichotomy into the setting (and blends law/chaos into the division on top) (too metal, man) and then turns up the volume on the fantastical once you go into the Weird. It's like they drank from Odin's mead of poetry Gygax's mountain dew of Appendix N when creating the setting for 4e.

It's easy to grog and get into, thick in mythic flavour and basically IS D&D embodied and distilled into setting form.

And yet, for all the flavour, it doesn't get self-absorbed in its own history or style. There is something accessible and basic, almost saturday morning cartoon style, in the way it grabs you. "These are our memes and archetypes. You have met them elsewhere, even if you don't know it. So just plug and play."

Part of the reason it is so accessible is that it is intentionally sparse. There is tonnes of stuff simply left out, or barely hinted at. Because it was designed to be nothing more than the most basic of frameworks for DMs to fill in the blanks on and make their own worlds out of. I know, right? Old School as fuck.

In fact, the publication history of its implied setting is like some sort of tragic homage to another very old school setting. We get the bare bone outlines in the DMG - 24 pages of teasers (mostly about stuff like "what is a town", "fantasy worlds tend to have religions", "here are rules for weather") that open with "the world of D&D doesn't have a map - until you make one" (so fucking metal) and then talks about the higher level assumptions of the D&D world. Things like:

  • Civilization is scattered points of light amidst a vast wilderness full of monsters in which ancient and mysterious wonders are nestled
  • gods are distant
  • It's your world
and another 15 pages on Fallcrest and the Nentir Vale, a pocket sandbox area+home base in a forgotten corner of the implied setting. That's it.  Old. School. man.

This is Fallcrest, the homebase. Shadowdale can fuck off back to Tolkien's Shire.

From here, the rest of the implied setting is revealed in scraps and pieces in various modules and articles in dragon magazine. You know which setting I am talking about now, when I said it was a homage, right? Yeah, this is basically World of Greyhawk all over again. Only, this one is dripping with flavour already and has the law vs chaos angle built right into its mythology with direct access for adventuring potential.

Except for one, tragic, difference. Greyhawk got its boxed set to set the word on what the world is like, even if it is an open-ended, loose framework, word. 4e's implied setting, Nentir Vale, never got that far before they killed the line. The setting book was on display on amazon and all. But then D&D Next happened and what was probably D&D's most D&D-like setting ever fell off a cliff.

That setting book could have been its last old school hurrah. "here's your setting book. It leaves out most things for you to create, but now at least you finally have your setting map. You will never see another supplement for this setting again though. Create the rest yourself." But we never got even that.

There is no "canon", no well defined history (myths in fact are far more prevalent than history) or even list of countries. It will remain forever an individualistic hodge podge of scant notes in the DMG cobbled together with hints and tidbits from supplements and adventures, some scholarly attempts at making sense of it all from fans online and the vast majority of it left for DMs to fill out with their own imagination. Old School. as. fuck.

If I were to run a non-homebrew setting these days, I'd probably pick 4e's or the Wilderlands of High Fantasy. I'd have to find a way to make those dragonborn and tieflings palatable to my sensibilities somehow, but that ain't hard. Other than that, it's just straight up D&D.

Tuesday, 20 June 2017

The D&D endgame has always sucked (except for *that* edition)

In the grognard-sphere, you can find many examples of grognards decrying the loss of D&D's endgame.

As I am working on B/X-ing 5e for Into the Unknown,  a cursory look at end-game approach is also on the menu (though mostly for a later Companion supplement since the core will only go to 10th level).

I've never really played with domain and stronghold rules. I was certainly aware of them and of the fact that the game was supposed to move in that direction. I just didn't understand how non-wargamers would think they are anything but an exceptionally boring endgame.

"You have over countless sessions fought everything from orcs to dragons, progressed from saving villages to saving kingdoms. Now, as you move into high-level play, new destinies and high level rules appear. Forget about resource management of rations and arrows. That's for noobs! At high levels, you get to manage the resources of an entire keep! Track the cost of building a new wing of the stronghold. Retain reeves and chamberlains. Collect taxes. Explore the intricacies of domain resources and incomes. Hear the complaints of peasants and track the cost of holidays. Graduate from low-level hero to high-level administrator! Play the domain game."

If that was the kind of campaign I wanted to play, I'd have gone for Birthright from level 1. The domain game fading from D&D was a natural consequence of it having nothing to do with the kind of game you thought you'd be playing when playing D&D.

That doesn't mean it was replaced by anything better though. 3e seemed to just go with the assumption of "why should high level play be any different from low level play? Just add more hit dice!"  Ignoring for a moment how awful the execution of this was in 3e, this assumption is, in itself, not terrible, since this is, after all, the kind of game you are playing D&D for.

Freebooters of the Frontier embraces this conclusion by declaring a simple endgame condition: amass 10,000 silver pieces and you win the game. This is perhaps preferable to the 3e's approach of "just keep doing the same thing with ever increasing numbers and levels of complexity." If D&D is to have an endgame, it should be somehow different, or at least an evolution, of the basic "kill creatures and amass treasures to defeat the villain" model of D&D. And preferably one that doesn't hand me rules for pricing the cost of holidays in your barony.

5e is not much better. Basically, the only edition who seems to have gotten the right idea is 4th edition (drops truthbomb, runs away).

4th edition D&D introduces epic destinies. They come on board about 8-10 levels too late, but they play to a good assumption of high level. While low-level play is often reactive and about a party walking the land waiting for destiny to happen, high level play ought to be about crafting a destiny for yourself.  Epic destinies enable this deliberate approach towards building your character into something larger than life the way you want to be larger than life. Low-level D&D play is "choose your own adventure", high level play should be "choose your own destiny." and 4e is the only edition to really grog to that.



In terms of flavour, 4e often does it quite well, presenting a good load of destinies that are essentially about transitioning from mundane hero to genuine mythic paragon. From legendary generals or sovereigns, becoming an archmage or epic lorekeeper, to questing for demi-godhood, heimdall-esque defender of a cosmically significant place, or an entire people, becoming consort to a deity to emerging as an actual avatar of a deity, thieves who can steal actual concepts, to becoming a literal parable yourself.

A lot of this is very high level stuff of course (and oftentimes more a culmination of a path of estiny) and some might want some intermediate high level play, on the level of domain play, becoming a guildmaster or similar. That is sort of what the Paragon tier (levels 11-20) was supposed to accomplish for 4e, except the execution amounted to little less than "choose your next splash option".

But the point remains - In either case, high level play should be about crafting your destiny and the rules for high level play should be in support of this - Rather than assuming that the end game should revolve around one goal (domain play) or none at all (3e).

So basically, the high level endgame I would want to introduce for Into the Unknown has very little to do with B/X and its endgame (cosmic adventures, a la the Mentzer Immortals set, would probably come closest as a possible destiny to choose from). I don't think I want to take an old-school approach just for the sake of doing it old-school.

Wednesday, 3 May 2017

A critical examination of Hit Points

Oh, Hit points. Is there any other gaming concept as opaque and contentious over the ages? Maybe Armor Class,  but that is for another day.

What are hit points really? With monsters, it is simple enough to equate hit points to physical damage. But less so for people.

Originally, number of Hit dice = the number of hits before you go down. Simple and intuitive option. A normal 1 HD man goes down when struck by a sword. A troll, being of larger and more durable stature than a man, has six hit dice (ie, can take six sword hits before going down).


But then the iffy part: A 6th level fighter fighter is the equal of six men - Is his body as tough as a troll? What does his extra hit points represent?

The exact answer seems to vary over the years and as significantly - There doesn't seem to be a clear consensus in any point in time as to its exact status.

"Wounds + [x], from taking a hit" seems to be the the closest definition people can agree on at any given time. But even that is stretched by the time we get to 4th and 5th edition - The most grognardy of my own group has taken to calling them "hero points" ever since we switched to 5th edition, due to the high and frequent rate of daily healing and proliferation of non-magical instant recoveries ("Second Wind", "Song of Rest") and morale boosts of temporary hit points ("Rally", "Inspiring Leader", "Heroism") suggesting that the "Hit" and "wounding" part of hit points don't mean much until you hit 0.

Gary Gygax, in his usual sesquipedalian style, gave this answer in the 1st edition DMG, page 82:
It is quite unreasonable to assume that as a character gains levels of ability in his or her class that a corresponding gain in actual ability to sustain physical damage takes place. It is preposterous to state such an assumption, for if we are to assume that a man is killed by a sword thrust which does 4 hit points of damage, we must similarly assume that a hero could, on the average, withstand five such thrusts before being slain! Why then the increase in hit points? Because these reflect both the actual physical ability of the character to withstand damage - as indicated by constitution bonuses- and a commensurate increase in such areas as skill in combat and similar life-or-death situations, the "sixth sense" which warns the individual of some otherwise unforeseen events, sheer luck, and the fantastic provisions of magical protections and/or divine protection. Therefore, constitution affects both actual ability to withstand physical punishment hit points (physique) and the immeasurable areas which involve the sixth sense and luck (fitness).
According to this then, Hit points = Physique + [skill, sixth sense, luck & divine protection(!)]. The problem is, EGG didn't really seem to grasp what hit points was supposed to be all that well, for there is no follow through on this definition in any of his rules.

One would presume, from reading the above, that the majority of a high level characters's hit points comes from the "immeasurable areas". But he still heals at a flat rate of 1 (or 1-3, depending on which early edition you use) hit point per day.

That 1st level fighter with 8 hit points who lost all but one of them in a fight is as good as new a week later. The 5th level fighter with 29 hit points who lost all but one of them in a fight needs 4 weeks to be as good as new. Where are the immeasurable parts reflected in the healing process?

EGG may have written flavor text to suggest otherwise, but his take on the actual rules for hit points place them squarely as "wound points". To which I would say to Gary, were he still alive:

Grognards, brace yourselves. I am now going to argue that the designers of the 4th and 5th edition understood the original concept of hit points much better than Gygax did. None of them have fully internalised the implications of hit points though.

Gygax, much like James Wyatt, Mike Mearls et al, was an interpreter of the concept. So let's go to the originator of the idea, Dave Arneson, and look at how he understood the concept of hit points.

Originally, hit points were fixed. The notion of gaining more as you levelled came about because the players at Arneson's table didn't mind that it took multiple hits to kill a troll, but they minded that it only took one hit to kill them. So, he came up with the idea that:

 "As the player progressed, he did not receive additional Hit Points, but rather he became harder to Hit."

He soon enough changed this to hit points growing with level, but it is interesting to note that this was the original conception it grew out of (and also that Arneson tinkered with the 'modern' notion of power level=harder to hit, yet in the end decided to use growing hit points to model this).

Here we see where Gygax derived his inspiration for his flavor text from at least, but phrased in a much sharper and succinct concept - It is really only the first hit die of a player character that represents the physical part of hit points.

It seems however, that, unlike Gygax, Arneson followed through on this idea more (it was his own idea, after all) and treated hit points more fluidly and situationally as a result, in the same way he, and subsequently D&D at large, made AC and saves fluid through various situational modifiers.

In the "Temple of the Frog" as presented in the Blackmoor supplement, Arneson has this encounter:
"The destruction of an egg area will cause all frogs to fight at double value for 2-12 melee rounds after which all will withdraw to the pond and submerge."
Good golly, y'all. Dave Arneson used temporary hit point mechanisms in print way back in 1975.

And this is where we see 4th and 5th edition internalise Arneson's original concept of hit points much better than Gygax did as they treat hit points as a far more fluid mechanic than than static 'wound point' approach of former editions.

A fighter can recuperate hit points in combat with a "second wind", a leader can inspire his allies with temporary hit points. Anyone can, effectively, "heal" themselves up entirely overnight. Hit points in these editions are basically the metaphysical heroic mass of the character. And seen as such, the resource management built around it makes a lot of sense.

Here we see a proper implementation of the fundamental sense of hit points: An abstracted engine, not for determining wounds as such, but for recording attritionally, your heroic capability and resources in combat.

The problem for both 4th and 5th edition is that in embracing this, they have essentially taken the notion of characters ever actually being wounded out of the game. Sure, like Gygax did with the "immeasurable areas" of hit points, they pay token homage to the notion of wounds in their flavor text. But the actual mechanic does not reflect taking any wounds until you hit 0 hit points (and even that is just brief unconsciousness - or death). Prior to death, there are no dramatic implications to being hit other than your daily resource management.

Interestingly, Arneson seems to be the only one of significance who properly internalised how the implications of hit points being a gameable and dramatic abstraction for being harder to hit meant that something more was needed to represent actual wounds. In the original "Men & Magic", we have the seed of it (which I suspect, but have no way of knowing, was Arneson's bit):
“Whether sustaining accumulative hits will otherwise affect a character is left to the discretion of the referee.”
This is a statement D&D in general has done very little with. But Arneson's Blackmoor does. It gives us our first hit location system, wherein hits variously give penalties to dexterity, reduced movement or even instant death. I don't want to give Arneson too much credit here - The system is abominably complicated, but the idea of it is sound - Something more than hit points is needed to track actual wounds.

Conclusion:

Having played my fair share of games who did away with the 'unrealistic' bag-of-hit-point systems (a move which my younger self applauded back then), the unfortunate reality at the table of these more 'realistic' systems is that they just don't play out with the same intuitive and well-paced dramatic development as hit points. Landing more hits and taking points off your opponents metaphysical "still standing" score is just more fun and dramatic than a series "you hit, but the opponent parries" exchanges until someone actually hits with what is likely a fight ender.

I consider hit points as probably the most innovative and strongest feature in the history of D&D - It's a brilliant combat engine that strikes a lovely balance between being easy to track and the dramatic development of combat, tracked over more than just one encounter.

And yet, my opinion is that for more than 40 years, D&D has never really given us a damage system that properly integrates the implications of what hit points really mean.

5th edition probably comes the closest and gives us the best platform for addressing the gaps. The 5e DMG has a lingering wounds table. Throw in some hit point milestones for gaining levels of exhaustion on top and I think you have a good adjunct for tracking wounds and other effects alongside hit point that give dramatic consequences to combat whilst still being fairly simple.

For older editions, the fix is steeper, as the "hit point = wounds" mechanic is just so embedded. You'd need new healing rules, mechanics making use of hit points as a more fluid resource, etc. I don't think I'd want to go there.

But even in 5th edition, I'd like to see mechanics making more use of hit points as a fluid mechanism. "Temporary damage" from fear effects and low morale maybe? Critical hits giving temporary hit points to the attacker for a round or two. Stuff like that.

Either way, it goes to show, there is still room for growing the full implications of the original concepts of the game. Maybe 6th edition will finally take hit points and wounds to its natural conclusion?

Friday, 28 April 2017

B/X-inspired Monsters for 5e / Into the Unknown (followup)

Short follow to my previous post on this. I think I've arrived at a good format that strikes a decent middle ground between the simplicity of B/X and the long format of 5e.

Note the addition of Morale and numbers appearing. Those rules should never have become 'OSR'. No idea why they were cut from 3e nor why they didn't return for 5e. They are lifeblood of D&D encounters, imo, and certainly for B/X and are back for Into the Unknown.


On this note - What do grognards make of the numbers appearing stats in B/X? Do you use them as is? I've always felt they tended to be on the high side.

----------------

Thankfully, Labyrinth Lord's monster descriptions are open content (though I am shortening them), since the SRD has none - Another one to add to the credits. It's all formatted pretty tight now. Only thing left now (groan) is find the right monsters to cut, add descriptions for the remaining 180 critters and rewrite the overly verbose "natural language". The 5e writers just did not give a fuck about brevity.

For comparison, I tried to put the short writeups from the 5e Basic document for these four into one page as well. They are a bit longer, but actually they do a pretty decent job of condensing the information in a clear way, I think. It's the verbosity that's the main issue and prevents quick scanning of special abilities and attacks.


Thursday, 27 April 2017

Setting Pitch - Dreams of a Fading Earth

Precis: Dying Earth + He-man & Thundarr + Science Fantasy + Mythago Wood with boundaries stripped + all your favourite myths and stories from any era.

In the far far future Earth, indeed the universe, is slowly dying. Man lives under a bloated red sun in the inherited ruins of former ages and the decadent nihilistic fatalism of the end times have set in long ago.

Time itself is like a torn rag and the planetary memories of decrepit Mother Earth have long bled into the world without rhyme or reason, as Mother Earth hazily dreams half-remembered myths and long forgotten truths from its youth into the world again.

The Fading Earth is chimerical, as if seen through a shamanistic dreamlike lens where truths and fiction are mixed without order, and reality often follows a more narrative than physical order.

Facsimiles of the Knights of the Round Table ride out of the mist in a crusade against the Old Ones stirring as the end of time approaches.

Archetypical elves stalk the dark woods (or peddle yellow lotus weed in the city, struggling with the existential crisis of a race resurrected out of time in a world where little matters anymore).

Atomic age science-fantasy wizards manipulate cosmic matrixes in their towers, Thor requires company to explore a titanic ancient generation starship arc, Mi-go conduct ancient star rituals and trolls sleep under bridges.

All myths are potentially right here. And all past events potentially here too. As dreams of a dying earth, they appear without rhyme and reason as caleidoscopic re-interpretations of the past.



For those who haven't read it, Mythago Wood is a fantasy novel from the 80s. It's about a guy who explores an old forest that acts as a kind of receptable for the racial consciousness and memory of mankind, storing archetypical jungian myths from now to way back to the ice age and incarnating them inside the woodland (robin hood, king Arthur, etc. but often not quite the memories we have of them today, although these also play a part).

I found it a very inspiring way to look at fantasy and thought "what if the earth has it's own storehouse consciousness where it remembers all the myths, stories and real events that sapients have been sufficiently conscious of over time?" And then fast forward to a Dying Earth setting where this Gaia consciousness has grown senile and, rather than just storing it, has started replaying its old memories, or facsimiles of them (it is senile after all), as actual incarnated and embodied places and people on earth, without regard for what was history, history embellished with myth or just plain fiction.

Post-apocalyptic fantasy future-earth with just about anything from earth history, myth and fiction you want in it. I think this could make for a fun setting for D&D. Some parts of the setting might be stable and 'ordinary' (or at least, ordinary by the standards of the future fantasy dying earth) - separated by vast stretches of mythland (and also dotted by pockets of mythlands) where the dreams of the Fading Earth have taken hold - where Alice in Wonderland Reimagined is as likely to show up as the historical figure of Casanova.

Tuesday, 25 April 2017

B/X-inspired Monster book for 5e / Into the Unknown

I known I said that making the Magic Book was without a doubt the most editorially demanding of the set. But the monster's book is not far behind. Might be more demanding in the end.

I've done all the rough trimming and editing by now. Removing monsters that are obviously not a fit for B/X, removing those of unsuitable challenge ratings and trying my best to make the stat block simpler and take up less space.

this has trimmed my original 140 page draft down to 63 page working document (for comparison, magic went from 122 page draft to 39 pages). I want to get down to 50 pages or less, but the choices from here are harder ones.

I currently have 198 unique entries - Compared to the 186 entries found in B/X. It is not a like for like list of critters. And there is a few I will have to create on top of that (dwarf, elf, halflings and of course - Devil Swine).

Not to mention, most of these have no description in the SRD! They will have to be added on top (groan).

And cutting out monsters is hard. Monsters are cool. Almost all of the ones left speak to me.

Here are some examples of non-b/x monsters I have included in the working document so far:


  • Aboleths
  • Young dragons
  • Five demons
  • Five Devils
  • Hags
  • Rakshasa
  • Remorhaz
  • Sphinx

How do you leave these out? Maybe young dragons can go - There are there basically to have dragons to fight at lower levels. But there rest are just very cool and iconic to my mind.... (It's just weird B/X has no devils or demons).

Below is the table of contents so far for it, and two sample pages to give an idea of where I am at, in regards to the stat block format. I am sharing here mostly for feedback purposes - 5e is not as bad as 3e and 4e for monstrpously large stat blocks, but it is still quite removed from the simplicity of 2e and lower. I think I've come a long way towards condensing it, but there may well be more gains to be made here (ie, do stat blocks need a language entry?).




Thursday, 30 March 2017

5e Race-As-Class: Dwarf (Into the Unknown)

The Dwarf is up for review.

Full version at the bottom of page
The Dwarf in B/X is basically the fighter with better saves. I decided to let Extra Attack be a unique feature of the fighter in Into the Unknown. So the Dwarf is instead based around being a a good mook horde breaker (from 3rd level onwards) and otherwise being a reliable hard damage dealer against solitary foes, who can also take a good amount of punishment.

I've tried to focus on mechanics that doesn't require extra die rolls or new mechanics to learn (or if they do, ride on existing ones - two abilities look at the ignored die of advantage/disadvantage for their effect - And two other abilities involve invoking advantage and disadvantage for nice synergies).

Oh and I added favored enemy. Because it's well known that dwarves carry a mighty grudge against their enemies.

Overall, I am really happy with the result. I think it would be would to play (combining free shoves on advantage with opportunity attacks on prone foes has a definite cool factor when you are swinging a heavy mace or axe).

I've tried to balance it against the fighter and revised ranger. It may seem heavy loaded from levels 1-5, but that compares directly against second wind, action surge, extra attack and improved critical/battlemaster shenanigans. It strikes me as more or less on par. I would of course love to hear people's opinions - On balance, fun factor and all that.

In other news, I've decided to split Into the Unknown so the main rules set only goes to 1-10. Besides the good reasons in terms of accessibility and focus, it also makes the job of writing the GM's Handbook part actually doable. Once the Companion volume has been written, it will be simple enough to make a "complete" version collating the two. And since it's all "Pay What You Want", by then it will really be more a question of what presentation is preferred. It also made work on the dwarf a fair bit quicker. :-p. Elf is up next.







Monday, 27 March 2017

Splitting "Into the Unknown" into a B/X and later a Companion set

Throughout the proccess of developing Into the Unkown I've been resistant to the idea of splitting the rules set into staggered releases the way B/X and BECMI did. The 5e SRD has rules going all the way to level 20 for free, why impose limitations on what should be in ItU's ruleset when the material for higher is already there and just need some adaption and editing? If it's there, put it in.

One rules set to rule them or or staggered sets for different tiers of play?

I am getting close enough to the finishing line now that I did a projected page count, minus cover, toc and formalia (but including internal artwork), for the player booklets.

Book 1: Characters - 55 pages
Book 2: Playing the Game - 23 pages
Book 3: Magic - 72 pages

Spread out like this:
40 pages of intro and character creation
26 pages of rules
15 pages of equipment
69 pages of spell lists and spells

So basically 150 pages of player material. For comparison, the equivalent chapters in the player's handbook is 290 pages. But 150 pages is still a very high number to me. The equivalent player material across B/X is 55 pages.

So I've been giving some thought to letting the main rules set be "Basic and Expert rules", running up to 10th level (11th level is where 5e kicks off into superhero mode) and following up later with a "Companion" dedicated to high level play.

The page count doesn't really improve that much. Intro and character creation is reduced by 6-7 pages, spells reduced by 30 pages. Even if I do a trim of the equipment section, it's over 100 pages. But at least it's thereabouts.

More importantly, I think there are good reasons to split it up. In the OSR group on Google+, +Charlie Mason recently asked about the highest level people usually played to. Out of 160 votes, a whopping 79% capped at 11th level. In other words, a game covering levels 1-10 is a fully self-contained game for the vast majority of campaigns.

The more I've been thinking on this, the more I am realising that high level play really is a different beast to the regular game. And putting it all in the same volume doesn't do justice to that fact.

A 1-10 rules set is focused - dungeon and wilderness exploration. check. You might save the kingdom, but you're not a kingmaker just yet. Making the rules set focused is also one of those things that should make the game more accessible to dive into.

Above that, whether it is the domain game of older editions or just the high level adventuring of later editions, the tone and setting changes. A companion volume (which I'd also stack with various 'advanced' and optional rules for class building, etc) has a much better shot of properly addressing gameplay at levels 11+.

I'd love some opinion on this though. Maybe I am barking up the wrong tree?

In other news, as the player's section is getting closer to release, I reckon I will release two versions. The three booklets, optimised for table use and a singular "Player's Guide" for those who prefer to have it in one volume.

PS. To follow up on my save entry the other day - After much deliberation, I'm going with "all saves add proficiency bonus and attribute modifier". It's clean, the simplicity is to die for and the numbers make good sense. Thanks S&W.

5e spells complexity and verbosity vs B/X

Making the Magic book for Into the Unknown is without a doubt the most editorially demanding of the set. 5e magic is verbose and overly focused on spelling out everything. Re-arranging (I am sorting spells by level) and cutting superfluous stat blocks helps, even if it takes a lot of time.

For comparisons, here is the B/X presentation of two simple spells:

And here is the 5th edition presentation of two simple spells:
Here are two simple spells in Into the Unknown:
I am pretty happy that most 5e spells can have their stat block simplified to B/X standard of range/duration with mostly just a different approach to presentation (unless otherwise specified, casting a spell takes an action and requires verbal and somatic components - and I've eliminated material components without a cost).

The screenshots here aren't so bad as they are all simple. But there are just so many spells in 5e that are ridiculously detailed. Paring them down is a lot of work. And 5e's explicit language is getting to me. You don't have to tell me in every spell description that a spell effect lasts for the spell's duration and can be cast within range in every frigging spell. Going through a couple of hundred spells to remove all the superfluous verbosity is a lot of work. 

That said, I started with a 125 page document. Now down to 81 pages. The rules for magic have been pared down from six to three pages. Still a lot to go through. So far, I've been reticient to cut out spells, except a few that just don't fit. But something is going to have to give. 
B/X devotes 25 pages to spells (going up to 6th level spells). The 5e Player's handbook is 91 pages. I'd like to get at least below 70 somehow, without sacrificing too much.

Wednesday, 22 March 2017

Jesus saves - the rest of you take full damage

Saving throws have always been quirky in D&D - The original categories were.... eccentric to say the least. Why is save vs wand different from save vs staff? Is petrification really widespread enough to get an explicit mention? And what is a death ray anyway? Finger of death? What else? That said, it was charming and that has its own sort of saving grace. It is a lot more menacing when the DM exclaims "save vs DEATH RAY" than "make a fortitude save".

3e did an admirable job of simplifying and clarifying saves. 3 instead of 5, keying it to dexterity, constitution and wisdom gives you an idea of how you are trying to save yourself, making saving throws a lot less disassociated. Good job allround.

The only recurring complaint against 3e saves were lacking the charm of older editions. Which, as complaints go, fall somewhere between obstinate and petulant.

For me, it is mildly aesthetically displeasing that there are 2 physical saves and only 1 mental save. But it works fine enough.

The biggest change, besides the simplification, is that saves now go from being a purely class+level based number to a class+level+ability modifier (lets ignore the manifold multiclass shenanigans).

This change has rarely been scrutinised (whether that idea ended up working or not in 3e sort of drowns in allround modifiers bloat), but it's a point I think is worth considering. What does it actually add to the game to also key saves to ability modifiers? It makes saves a lot more variable, making it harder for DMs to gauge what DCs to set. And in return we get... ?!?

A minor element of verisimilitude for an already largely disassociated mechanic. It seems to me something that got added because it seemed to make some sort of sense, but no one really considered whether it actually improved the game.

4e, ever the red-headed stepchild of the D&D family, made saves something totally different: Are you currently suffering a condition where "save ends"? roll 11 or higher to end it. That's all. Saves is basically just a static duration tracker. Interesting in its own sort of way, but too different for my considerations in this post.



Which is saves in 5e, and by extension Into the Unknown.

5e saves are most similar to 3e, but with the abstraction of "reflex, fortitude, will" shaved off, making it basically similar to an ability check. Proficiency bonus+ability modifier. Nice and simple. It's more of a level+ability than a class/level+ability thing now really, though class does determine which saves get proficiency bonus.

There are six saves now instead of three, one for each ability, which on the surface is fine, since the model is so simple it doesn't really add much complexity. The spells that target the three new saves (cha, str, int) are very few in number and have longer casting times or very survivable and shortlived effects. Re-tooling it to just have three saves would be very easy (STR/CON float to Fortitude, DEX/INT float to Reflex, WIS/CHA float to Will - This also gives a fairly even distribution, based on saves in the PHB and MM).

The tricky part about 5e saves is that 4 out of 6 saves aren't even level+ ability based. They are just your ability modifier and shall forever remain so. Bragbar the 20th level barbarian who dump-statted charisma is as susceptible to a magic jar spell as he was at 1st level. A 9th level spellcaster throws spells with a save DC of 17. Woe betide the fool with dumb stat and no proficiency in that save. Bragbar our 20th level barbarian with CHA 8 gets sucked into that gem 85% of the time that 9th level caster gets his spell off.

Spellcasters now have a plethora of dumb saves to target that their victims will almost always fail. This basically makes group buffs mandatory at higher levels.

========

So for Into the Unknown, I've been thinking to address this. I've got a couple of solutions.

A/ One is to give half proficiency bonus to all saves as standard. Bragbar now saves 25% of the time against the magic jar instead of 15%. It's a help and it's simple, but feels more like a band-aid on the issue. But maybe that is all that it needs.

B/ Another is, in vein of 2e and lower, to once again de-couple saves from ability scores. You add proficiency bonus to all your saves. If proficient, you double it. Bragbar saves against the magic jar 50% of the time. and 80% if he is proficient. Against a 20th level caster (DC 19), it's 40%/70% for Bragbar. Seems sound.
Aesthetically, it's a bit weird though to have six "ability saves", but ability modifiers don't add to it. This might have flown better with 3e's three, slightly more decoupled, saves.

C/ A third option is to give full proficiency to all saves, but only "proficient" saves can add ability modifiers (or cancel negative modifiers). It does make saves work a bit different from other combos of ability+proficiency,  but not terribly so. It makes saves a lot closer to Sword&Wizardry's singular save mechanic, but with some opportunity to differentiate.
Wizards and cleric get to add their CHA to the magic jar (it's a circle of necromancers now - Bragbar is just one target) if they have it. The majority save 50% of the time against it, bragbar dumbstatted cha though, so it's 45% for him. Aleena the cleric is gorgeous (CHA 14), so her chances are 60%. Sound.

D/ Same as above, but forgetting all about having proficiency in saves. When making a save, you just add proficiency bonus+ ability modifier. the end.

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Right now I am leaning towards B/ + reducing number of saves to 3, 3e style, folding STR and CON saves into a Fortitude save, DEX/INT saves into a Reflex save and WIS/CHA saves into a Will save. Fighters double proficiency bonus for Fortitude saves, rogues for Reflex and wizards and clerics for Will saves. Low saves is still at proficiency bonus.

It makes saves even easier to keep track of than in B/X - For players sure, but most especially for DMs when estimating threat levels. The numbers seem to make sense and the right classes get the right saves.

The only downside is a small amount of conversion needed for using existing 5e material. But it's a pretty easy conversion to make. If not this, I am leaning towards D/, maybe float it to 3 saves, to avoid vastly favouring rogues, clerics and DEX-based fighters who have their primary stat in one of the most frequent category.

Input welcome.

Saturday, 11 March 2017

A more interesting weapons table for 5e

(tl:dr - Here is a table with more interesting weapon choices for 5e)

I really like the armor table for 5e. Good range of choice, not too short, not too long and there are just enough differences and overlaps that your choice of armor is meaningful and distinct. Simple and interesting.

The weapons table for 5ed is probably one of the least thought out and most poorly implemented mechanics in the Player's Handbook though.

Loads of redundancies (Why would I ever buy a mace when a quarterstaff does the same damage, is 20 times cheaper and can be used with 2 hands for even more damage?), Shortswords and scimitars being the same except vast price difference, longsword, warhammers and battleaxes all being the frigging same weapon, etc.

It seems to have been built around weighing different damage types as more valuable than others, no matter that the differences almost never come into play. Except it's inconsistent. A warhammer is bludgeoning, but pricier than a slashing battleaxe. Otherwise the same. A maul is bludgeoning but way cheaper than a slashing greatsword. Otherwise the same.

Whatever. There's a handful of weapons worth taking and loads that are pointless and a waste of space.

For Into the Unknown, I've done away with the three damage types for simplicity since the edge cases where they come into play are extremely rare and common sense applicable at any rate (yes your sword can slash and stab, no your rapier can not bludgeon. Yes, you can swing your spear like a staff).

With that done away with, the weapons table showed itself up for what it was - Just too awful to keep as it is. So I changed things up a little and tried to give each weapon choice a niche. It really didn't take much work.

There is one new weapon property:
<> This weapon has two properties that can not be used together. For example thrown<>versatile, can be used with two hands, but thrown only with one.
I think it's kinda self-explanatory. You can throw a spear, but not for 2-handed damage.

Spear earn their mettle as the most popular weapon of all time by being the only simple weapon that's versatile, can be thrown and gives 1d6/1d8 damage, making it the best damage dealer (alongside the greatclub) among simple weapons.

Long spears (new) are martial, swap thrown for reach but otherwise identical to spears and are the only reach weapons that can be wielded one-handed.

Long staves (new) are martial, not versatile, but have reach. and way cheaper than polearms who go one higher on the die, but are also heavy.

Swords are pricey, but there is good reason why they are so universal kings among weapons - They are all frigging finesse baby. That's why you pay a premium for them.

Shortswords lose the Light quality if you want finesse on top, but become simple weapons, making it the highest damage dealer among simple finesse weapons.

Longswords gain finesse to distinguish themselves from battleaxes and warhammers.  Greatswords they same vs battleaxes (who bumb to 2d6 whilst the cheaper and simpler maul goes down to 1d12).

I added broadsword to the list as well - they took rapiers entry who got bumped down to scimitar level - The point of scimitars and rapiers here is that they are the top dogs for dualwielding with finesse. Because come on, a broadsword is just better than a flimsy fencing weapon. If you want a better flimsy fencing weapon, call the broadsword 'edged rapier'.

Why do we like flails? They may be pricey with the chain to forge and balance, but they deal 2d4 instead of the 1d8 of the cheaper morningstar.

I folded Pike, Halberd and Flail into "Polearm" - Because they are all the frigging same anyway.

There is more, but the bottomline is that there is a point to choosing the different weapons from this table now. 

Friday, 10 March 2017

1-page rules summary of 5e / Into the Unknown (B/X-5e Hack)

Once you boil 5th edition of D&D down a bit, it is actually a very simple game. So much so that you can outline the basics of the whole and all the needed terms in one page. So I went ahead and did that for Into the Unknown, since the aim of this 5e hack is to make it as simple and easy to play as B/X was - But using the more streamlined and balanced engine of 5e.

Only real variances here from 5e are use of the term "magic-user" instead of wizard and "Proficiency area" instead of "Skills"

Sunday, 5 March 2017

Magic-User & Priest write-ups for "Into the Unknown" (B/X-5e hack)

I've already shared write-ups for the Halfling [Race-as-class]Fighter & Rogue classes and Book 2: Playing the Game for my B/X-inspired 5e hack, Into the Unknown. Without further ado, here are write-ups for the last two core classes.


Here, I am making use of the categorisation employed from OD&D all the way to 2nd edition - of later classes, such as druids, being sub-classes of the four main classes. Except, I've simplified the distinction even more and not even made them sub-classes but different class features.



So sorcerers, warlocks and wizards are all the same class. The magic-user class feature only shows up at 1st and 2nd lvl and basically just defines how a magic-user learns spells. I feel each feature is still very thematically distinct without needing to be separate classes.

With the priest class, I am stretching this a lot more - as druid/cleric as class feature shows up on a lot of levels and they could work just as well as separate classes.

Still, I think there is merit in doing it this way - it gives a good framework for designing new class features as a way of expanding the core classes (mystics and anti-clerics, for example. Psionicist should be simple enough to adapt from magic-user/sorcerer as well). Considering how difficult it is to build a class from scratch in 5e, having this simple framework to refer to is one of the big strengths of Into the Unknown for creating new class concept.

Friday, 3 March 2017

Ability modifiers: 5e vs B/X progression (+musing on power levels in 5e)

We reached 5th level in our D&D campaign last session. Wow, that is a significant step up in the power curve in 5e. 7th level ought to map well enough to the 'superhero' title of OD&D I reckon. We (two battlemasters and a paladin) went up against some 'Varl' that our DM estimated to be of medium difficulty. Curbstomped in the first round. He was faltering by the time my paladin was ready to roll 4d8+2d6+6 for smiting. Didn't even have time to make my extra attack for another 4d8+6 before I had chopped his head off. DM trying not to have his jaw drop at how easy that was for us.

We've had lots of fun at levels 1-4 though. Vulnerable at times, but not too vulnerable. We all had some nice moves and badass moments yet threats were tangible. 5th level feels like we're now consistently baddass. So that is probably my rule of thumb for 5e's implied setting. 1st/2nd - Trained and well above average person but nonetheless mundane. 3rd/4th level - Genuine hero. 5th level: Bruce Willis has walked into the room. Proper badass.

The Thing is totally a 5th level barbarian

The immense playability of levels 1-4 is probably the biggest thumbs up I can give to 5e. I'd be happy to play characters of this level any time. It feels challenging, suitably heroic at times, but not superheroic. Which is, to me, what any levelled character should feel. We've ignored the XP chart for a slower progression - I feel like 5e as written is a bit too much in a hurry to get characters out of the bottom levels. 3rd and 4th level in particular feels like a sweet spot that you could spend more time at than the XP chart suggests. 

Anyway, on to what I really wanted to talk about....

============ 

Someone asked in the comments recently why I wasn't using B/X modifiers instead of 5e's for Into the Unknown. It's compelling in some ways - It's lower numbers, which is good. But the B/X progression is also a bit arbitrary and doesn't play too well with other parts of 5e.

Over on Methods & Madness, Eric Diaz was musing on numbers and level of detail people can easily process a while back. This strikes a cord with me, especially as simplicity is a large part of the project of making Into the Unknown as a b/x-y 5e hack.

Having seven degrees of outcome or progression is just so neat (worst, worse, bad, neutral, good, better, best) - It's intuitive and easy to remember. 

But for me, it more significantly means that the numbers map to something you can immediately relate to in the world. For example, a STR progression could go like this:

0-2 -3 Weakest
3-5 -2 Weaker
6-8 -1 Weak
9-11 0 Medium
12-14 +1

Strong
15-17 +2

Stronger
18-20 +3

Strongest

A person with 13 in Strength instinctively has an idea of how strong he is in the imaginary world. He is "strong." and he gets a +1 to Strength rolls as a result. 

The fact that numbers can map to an in-world natural scale is to me a big deal towards making the game simple and easy to understand. It makes the numbers more than just numbers. 

I like it so much I am thinking of incorporating it Into the Unknown. Pros of it:
  • Giving numbers in-world meaning that is easy to understand
  • Lower numbers is generally good for an easy and simple approach
  • The scale of the 'bounded accuracy' is like a happy medium between 5e B/X.
    It also keeps the old-school standard of 18 being the human best, whilst honoring the 5e standard of 20 being the human best.
Some big cons though
  • Harder to calculate on the fly. 5e's "drop 10 and halve the rest" is pretty easy to calculate in your head. This uses a range of 3 per increment for ability modifiers - at that point, you'll want a table to look it up.
    Mitigator: Players will only need to do this when entering the modifier on their sheet.
  • Ability gains are a big part of levelling up in 5e. Tampering with this makes the progression assymetrical, encouraging math games to figure out how to best allocate your two point gain. Bad.
  • Reduced 5e compatability - This is the big one. It means that a regular 5e character won't be able to join an ItU table without recalculating his modifiers. It also means DMs will have to recalculate everytime they are using stock 5e material on NPCs and critter. Bad bad bad.
I don't know. It's a lovely idea, but hard to see how to bring into this game in an elegant manner.

Thursday, 2 March 2017

Fantasy Map Review VII: Erce

For links to all instalments in this series, go here.

Final instalment in my review series of classical maps is my own - The Mythlands of Erce! The main large map is more or less finished by now.



It would seem a bit puerile to review what I like and don't like about my own map, so I am just going to talk a bit about what I am trying to do with it, the process and how I feel about the result.

One of the touches I am pretty happy with (and which really helped me figure out the proper scale of symbols as well) is that this is actually a hex map. Each mountain is a hex, woodlands border to hexes, albeit lazily, so do hills, etc. So this can actually be used a table, players can be told what hex they are in and see what can of primary terrain it has, calculate overland travel, etc (I didn't go for hexes for the seas because imo, sea travel is almost always a pointcrawl anyway).

I feel like I have to show a slightly different rendition to give a clearer idea of how the map divides:

Five different regions, each with it's own theme and outlook to run different types of campaigns (the savage marches being the primary one for old school exploration).

Besides the OSR sandbox area, I wanted a big ol' north at the top to give a sense of vast unexplored wilderness that man could not possibly hope to map or ever fully explore. I wanted a 'kingdoms' region, where players could visit 'that king', 'that queen' and maybe get themselves involved in some politics, or even win a throne, with the Old Lands being the kind of decadent southern S&S lands Conan might find himself in.
The final one, the Hinterlands, was more of an afterthought than the others. I wanted a buffer between the more medieval, knightly, hearthstone lands and the byzantian old lands. I also wanted some open-ended territory that was less empty than the eastern marches. Basically a 'dump other cool stuff here' region.

I made it in GIMP and pretty much learned everything about map-making in GIMP from this one map. Here are some of my early renditions in GIMP to show the learning curve:



Once you get into this and start appreciating different layer effects, colour schemes, etc it's amazing how time you can spend adjusting a map to get just the right 'feel' of a map. And don't even get me started on font choice! The gimp file has 40 layers and is 500 MB in size. The lovely thing about that is that I can re-spin the map for different purposes (such as the regional rendition above) so easily with that level of layering. And with the size of it (6000x4000 pixels), I can even just crop parts of it and relatively quickly blend them into full-sized regional or country maps. For example, like this:


Would be equally simple to hide features on it for player maps as well. It's not just a map - the gimp file is like a campaign tool.

I've played with less satured faded versions, more saturated, more 'realistically' looking. In the end, I settled with what I think is a nice blend between old painted look with a bit of depth and enough colour to give it some life when looking at it. This map has been years underway. I probably made my first hand drawn draft a decade ago. Looking at it now in what is basically its final version leaves me feeling pretty proud that a guy like me, who never had an artful bone in his body, was able to make that from scratch.

I can't wait to print it out in full size on proper paper.